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Le Prince also recorded trams and the horse-drawn and pedestrian traffic on Leeds Bridge, [43] and a few more short films. Le Prince used paper-backed gelatin films for the negatives, from which the paper could be peeled off after filming. He also investigated the possibilities of celluloid film and obtained long lengths from the Lumiere ...
In the early years following World War I, Charles A. Hoxie working at General Electric (GE) developed a photographic film recorder, initially to record transoceanic wireless telegraphy signals. However, this recorder was later adapted for recording speech and was used in 1921 to record speeches by President Calvin Coolidge and others which were ...
Between 1903 and 1909 the itinerant cinema Italian film was quieting, until then considered as a freak phenomenon, took on consistency assuming the characteristics of an authentic industry, led by four major organizations: Titanus (originally Monopolio Lombardo), the first italian film production company [35] and the largest and probably the ...
Predecessors to film that had already used light and shadows to create art before the advent of modern film technology include shadowgraphy, shadow puppetry, camera obscura, and the magic lantern. Shadowgraphy and shadow puppetry represent early examples of the intent to use moving imagery for entertainment and storytelling. [1]
In the early days of film the word "photoplay" was quite commonly used for motion pictures. This illustrates how a movie can be thought of as a photographed play.Much of the production for a live-action movie is similar to that of a theatre play, with very similar contributions by actors, a theatre director/film director, producers, a set designer, lighting designer, costume designer, composer ...
Early film theorists in Germany began to write about the significance of Schaulust, or "visual pleasure", for the audience, including the Dada movement writer Walter Serner: "If one looks to where cinema receives its ultimate power, into these strangely flickering eyes that point far back into human history, suddenly it stands there in all its ...
Film classic Gone with the Wind (1939) starring Clark Gable and Vivien Leigh. Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking that first developed in the 1910s to 1920s during the later years of the silent film era.
The 1920s was also the decade of the "Picture Palaces": large urban theaters that could seat 1–2,000 guests at a time, with full orchestral accompaniment and very decorative design (often a mix of Italian, Spanish, and Baroque styles). These picture palaces were often owned by the film studios and used to premier and first-run their major films.