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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
It has been said that 1930 was the year traditional black gospel music began, as the National Baptist Convention first publicly endorsed the music at its 1930 meeting. [19] Dorsey was responsible for developing the musical careers of many African–American artists, such as Mahalia Jackson (best known for her rendition of his " Precious Lord ...
This list includes artists that perform in traditional gospel music genres such as Southern gospel, traditional black gospel, urban contemporary gospel, gospel blues, Christian country music, Celtic gospel and British black gospel as well as artists in the general market who have recorded music in these genres.
Primitive Baptist practices that are distinguishable from those of other Baptists include a cappella singing, family integrated worship, and foot washing. This African-American Primitive Baptist church in Florida is an exception to the usual practice [15] of excluding musical instruments: a piano and organ are visible.
Gospel composers included writers like Ira D. Sankey and Mason Lowry, and Charles B. Tindell. Hymns, Protestant gospel songs, and spirituals make up the basic source of modern Black gospel. The Library of Congress has recordings of Negro Spirituals; 1. Song - Go down Moses. 2. Song - Deep river. 3. Song - Golden slippers. 4. Song - Steal away
Writing hymns and Southern gospel songs Ira Forest Stanphill (February 14, 1914 – December 30, 1993) was a well-known American gospel music songwriter of the mid-twentieth century. Early years
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
The Primitive Baptist Hymnal: a choice collection of hymns and tunes of early and late composition (1881) [571] Hymn and Tune Book for Use in Old School or Primitive Baptist Churches (1886) [572] Harp of Ages; Old Baptist Hymns (2012) Old School Hymnal; Primitive Baptist Hymn Book; The Good Old Songs; Songs of Faith (Double Oak Press) (2000)
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