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Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Many of the contemporary artists who authored the folk music that was used in American Catholic Liturgy choose F.E.L. to be their publisher, as did Ray Repp, who pioneered contemporary Catholic liturgical music and authored the "First Mass for Young Americans", a suite of folk-style musical pieces designed for the Catholic liturgy. Repp gave an ...
Panis angelicus (Latin for "Bread of Angels" or "Angelic Bread") is the penultimate stanza of the hymn "Sacris solemniis" written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast, including prayers for the Mass and the Liturgy of the Hours.
Spirit & song: a seeker's guide for liturgy and prayer. Oregon Catholic Press. 1999. ISBN 978-1-57992-007-4. Spirit & song 2: more resources for prayer & worship, 2005, ISBN 978-1-57992-129-3; Catholic Church; United States Conference of Catholic Bishops; Committee on Divine Worship (2013), Spirit & song. (2nd ed.) Rise Up and Sing (2 editions)
Here are her fave songs for girls. Courtesy We all know women's progress took a hit in 2020, but there's one thing we can do: We can encourage our daughters to be bold change-makers in 2021.
Schutte's compositions are primarily written for Catholic liturgical use, but over time have been used in Protestant worship. Some of the more notable include "City of God" (1981), "Only This I Want" (1981), "Blest Be the Lord" (1976), "You Are Near" (1971), "Though the Mountains May Fall" (1975), "Sing a New Song" (1972), "Glory and Praise to Our God" (1976), "Here I Am, Lord" (1981), "Table ...
"On Eagle's Wings" is a devotional hymn composed by Michael Joncas.Its words are based on Psalm 91, [1] Book of Exodus 19, and Matthew 13. [2] Joncas wrote the piece in either 1976 [3] or 1979, [1] [4] after he and his friend, Douglas Hall, returned from a meal to learn that Hall's father had died of a heart attack. [5]
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