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Saint Vitus was opened in April 2011 by Arty Shepherd, Justin Scurti, and George Souleidis, along with two silent owners. [6] The space was formerly a plumbing school and before that a social club, and the owners hired Matthew Maddy to design the space, with the main intention to be a metal-themed bar that only occasionally held live shows. [7]
Saint Vitus Bar, the legendary Brooklyn heavy metal venue that has hosted countless up-and-coming bands as well as special club shows by Megadeth, Anthrax, Deafheaven, Killing Joke, Carcass ...
From May 24 to September 22, 2019, the New York Historical Society's Stonewall 50 Exhibition displayed the original Paradise Garage metal sign from the disco's original building, which was a parking garage. Credits also on display read: "Paradise Garage (1976-1987) Dennis Wunderlin (b. 1943), designer. Exterior sign, ca. 1977. Metal, paint.
Nitehawk Cinema is a dine-in independent movie theater in Brooklyn, New York City.It operates two locations, in the neighborhoods of Williamsburg and Park Slope.The theater, which offers a menu of food and drinks that can be ordered and consumed while patrons view films, was the first liquor licensed movie theater in the state of New York, and the first movie theater in New York City to offer ...
Antrum made its world premiere at the Brooklyn Horror Film Festival on 14 October 2018, and was screened at other film festivals, where it was nominated for several awards. Uncork’d Entertainment later acquired North American distribution rights to the film, later releasing it via Video-on-Demand and streaming services in Fall 2019.
A love letter to the the people and places of the New York borough for which it’s named, “Love, Brooklyn” is also a showcase for the talents of its three attractive lead actors. In this ...
A metal band with alleged ties to neo-Nazis splattered the exterior of a New York City bar with cow’s blood at a ... Night Club in Sunset Park, Brooklyn, where black metal band Volahn played Jan ...
Unlocking the Truth's sound has been described as "a salute to old-school metal that also blends modern influences." [27] In the Los Angeles Times, Randall Roberts wrote of their Coachella performance as "a hard, distorted blend of metal, speed punk and alternative rock on the main stage, they were as well-practiced as units three times their age."