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The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). As such, it ...
The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". [2] [3] The list presents 50 materials or sets of materials from ancient to feudal Japan, spanning a period from about 4,500 BC to 1361 AD. The actual number of items is more than 50 because ...
The Tottori Folk Crafts Museum (鳥取民芸美術館, Tottori Mingei Bijutsukan) opened in Tottori, Japan, in 1949.It was established as the Tottori Mingeikan by Yoshida Shōya (吉田璋也), local advocate of the mingei folk craft movement, who formed a craft guild in 1931 and opened the craft shop "Takumi" in the city the following year.
[1] 5: Daguerreotype view from Fort Canning Hill: By French customs service officer Alphonse-Eugene Jules: 1844 [1] 6: Gold armlets and rings from Fort Canning: East Javanese style, found at Fort Canning Hill: 1928 [1] 7: Portrait of Sir Stamford Raffles: Portrait of the founder of Singapore by noted painter Xu Beihong: 1939 [1] 8: Natural ...
The museum was established in 1936 by Yanagi Sōetsu, the founder of the mingei movement; Hamada Shōji succeeded him as its director. [1] [2] Yanagi and Hamada officially announced their desire to establish a folk crafts museum in 1926. [3] Construction began on the museum in 1935 and was completed in 1936. [3]
Mingei International Museum was founded by Martha Longenecker, Professor of Art Emerita, San Diego State University. As an artist craftsman who studied pottery-making in Japan, she became acquainted with and learned from the founders and leaders of the Mingei Association of Japan.
The philosophical pillar of mingei is "hand-crafted art of ordinary people" (民衆的工芸, minshū-teki kōgei). Yanagi Sōetsu discovered beauty in everyday ordinary and utilitarian objects created by nameless and unknown craftsmen. According to Yanagi, utilitarian objects made by the common people are "beyond beauty and ugliness".
[1] In 1935, Yanagi Sōetsu (1889–1961), father of the mingei (folk art) movement, saw Munakata's prints at the Kokugakai's annual spring exhibition, and bought twenty-five prints of Yamato shi Uruwashi by Munakata. This event changed Munakata's life. From then on Munakata was closely associated with the Japanese folk art movement.