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John Coulthart (born 15 March 1962) is a British graphic artist, illustrator, author and designer who has produced book covers and illustrations, CD covers and posters. He is also the author of the critically acclaimed Lovecraft-inspired book The Haunter of the Dark: And Other Grotesque Visions which contains a collaboration with Alan Moore entitled The Great Old Ones that is unique to this ...
Grotesque studies, Michelangelo Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.
There has been some debate, however, over the meaning of Poe's terms "Grotesque" and "Arabesque". Poe probably had seen the terms used by Sir Walter Scott in his essay "On the Supernatural in Fictitious Composition". [6] Both terms refer to a type of Islamic art used to decorate walls, especially in mosques. These art styles are known for their ...
Common themes of Southern Gothic include storytelling of deeply flawed, disturbing, or eccentric characters sometimes suffering from physical deformities or insanity; decayed or derelict settings and grotesque situations; [1] and sinister events bred from poverty, alienation, crime, violence, forbidden sexuality, or hoodoo magic. [2]
These books, from authors like Stephen King, Joe Hill, Stephen Graham Jones, Shirley Jackson, and more, will leave you on your couch in horror.
Lovecraftian horror, also called cosmic horror [2] or eldritch horror, is a subgenre of horror, fantasy fiction and weird fiction that emphasizes the horror of the unknowable and incomprehensible [3] more than gore or other elements of shock. [4] It is named after American author H. P. Lovecraft (1890–1937).
Lost Man's Lane, by Scott Carson. There have been plenty of nostalgic horror novels in recent years, but few have captured the laconic charm of the ‘80s and ‘90s paperback boom quite like Lost ...
The stories in Haunted are written in the tradition of Gothic literature with a postmodernist orientation. [4] Literary critic Greg Johnson observes that these “ ‘tales’ are integral to Oates’s larger endeavor in fiction, which is to probe relentlessly the complex mysteries of human personality and identity.” [5]
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