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Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
It was first awarded in 1983, for films released the previous year, but was separated into two categories: Best Sound Editing - Foreign Feature - Dialogue and Best Sound Editing - Foreign Feature - Sound Effects This was amended in 1985, when ADR and sound effects were combined for the category Best Sound Editing - Foreign Feature. It was not ...
The category was first presented as two different categories, Best Sound Editing - Long Form Documentary (2010–2016) and Best Sound Editing - Short Form Documentary (2011–2016), the two categories were renamed in 2014 to Best Sound Editing - Long Form Sound Effects, Foley, Dialogue and ADR in Television Documentary and Best Sound Editing ...
Filmmaker Amanda Lipitz’s documentary “Found,” streaming on Netflix, is a personal tale — her niece Chloe features at the heart of the documentary. “Found” follows three young women ...
The Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore is an annual award given by the Motion Picture Sound Editors.It honors sound editors whose work has warranted merit in the field of film; in this case, their work in the field of music editing in theatrically released motion pictures.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of cinema; in this case, their work in the field of animated film.
The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]
Lipitz: The best way to describe Toby’s music is that it just cradles your film and cushions it. When you listen to the whole score, it’s like a lullaby, a mother song of love.
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related to: finding your authentic voice is best considered good quality in sound editing