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A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
The Congklak Gameboard from Indonesia c. 1900. Southeast Asian mancalas are a subtype of mancala games predominantly found in Southeast Asia. They are known as congkak in Malaysia; congklak (VOS Spelling: tjongklak), congkak, congka, and dakon in Indonesia and Brunei; and sungkâ in the Philippines. They differ from other mancala games in that ...
[2] The term a prima vista is also used, as Italian words and phrases are commonly used in music and music notation. To play a musical piece a prima vista means to play it 'at first sight'. According to Payne, "the ability to hear the notes on the page is clearly akin to music reading and should be considered a prerequisite for effective ...
A tail at the end of a ligature indicates an additional note be sung or played, called a plica, that is not part of the ligature. Plicas were especially common with the rhythmic modes, to accommodate in practice what could not be accomplished within the very strict theoretical basis for modal music. [1] [2]
Accompaniment acceptable in the Berklee method [2] but not in common practice theory. Play ⓘ Branford Marsalis notes how Berklee music theory may be an inadequate description of traditional jazz as well having a tendency toward prescriptivism: "Berklee has its own system of doing things, the Berklee way, the Berklee method. They basically say ...
A similar practice to notes inégales occurs from the 20th century to the present day, in jazz, although the term "swung note" is used by jazz musicians and listeners. Indeed, it is so universally understood that a stream of eighth notes is to be rendered unequally that the phrase "straight eighths" is used whenever a jazz arranger wants a ...
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for example, singing a large leap may be harder than playing it on piano. [2]