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Separation is a much-emphasized topic in Khushbu, and is dealt with in many ways.It may be willing or unwilling separation - in the form of break-ups, long distance relationships, dying love or memories of an old romance - and is emphasized in works such as Neend tou khwaab hai aur hijr ki shub khwaab kahan?
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Download QR code; Print/export Download as PDF; Printable version ... Pages in category "Poems in Urdu" The following 6 pages are in this category, out of 6 total. ...
Download as PDF; Printable version; ... Poems by form (4 C) Poetic rhythm (3 C, 96 P) R. Rhyme (1 C, 46 P) S. ... Free verse; G. Gasa (poetry) Glose;
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
Pakistan’s tradition of poetry includes Urdu poetry, English poetry, Sindhi poetry, Pashto poetry, Punjabi poetry, Saraiki poetry, Baluchi poetry, and Kashmiri poetry. Sufi poetry has a strong tradition in Pakistan and the poetry of popular Sufi poets is often recited and sung.
The Shahr Ashob (Persian: شهر آشوب; Shahr-i Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i Ashūb or Shahrashub, is a genre that becomes prominent in Urdu poetry in South Asia with its roots in classical Persian and Urdu poetic lamentations.