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Intarsia inlay in wood furniture differs from marquetry, a similar technique that largely replaced it in high-style European furniture during the 17th century, [2] in that marquetry is an assembly of veneers applied over the entire surface of an object, whereas inlay consists of small pieces inserted on the bed of cut spaces in the base ...
Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.
Boulle's inlay materials included tortoiseshell, brass, pewter and even animal horn. For contrasting woods, he often used rosewood, ebony, kingwood, and other dense, dark-toned tropical species. Boulle's marquetry technique was to make two contrasting sheets of intricate inlay that were cut from a single sandwich of materials.
Detail of an Iranian jewel box decorated by khatam. Khātam (Persian: خاتم) is an ancient Persian technique of inlaying.It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns.
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