Search results
Results from the WOW.Com Content Network
10 October 1974 – Official proclamation of the Sociological Art Collective with Manifesto #1 published in newspaper Le Monde.; December 1974 - “Art against Ideology” exhibition organized by Bernard Teyssedre with the Sociological Art Collective at Galerie Rencontres, Paris, with works from Jean-François Bory, Collectif d’Art Sociologique, Groupe de Rosario, Guerilla Art Action Group ...
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Robert Dale Owen (1801–1877), an able exponent of his father's doctrines, managed the New Harmony community after his father returned to Britain in 1825. He wrote articles and co-edited with Frances Wright the New-Harmony Gazette in the late 1820s in Indiana and the Free Enquirer in the 1830s in New York City. Owen returned to New Harmony in ...
A new art form struggling for acceptance is digital art, a by-product of computer programming that raises new questions about what truly constitutes art.Although paralleling many of the aesthetics in traditional media, digital art can additionally draw upon the aesthetic qualities of cross-media tactile relationships; interactivity; autonomous generativity; complexity and interdependence of ...
In Aesthetic Theory, Adorno is concerned not only with such standard aesthetic preoccupations as the function of beauty and sublimity in art, [2] but with the relations between art and society. He feels that modern art's freedom from such restrictions as cult and imperial functions that had plagued previous eras of art has led to art's expanded ...
The multiple titles of the piece also played a role in its ambiguous meaning, variously presenting the work as a scene of outdoor "harmony" or as an expression of protest and political resistance. The title of the work was originally In the Time of Anarchy. [4] It was changed by self-censorship to In the Time of Harmony. But the painting ...