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In the world of children's poetry, she was consistently praised for her skillful metered verse, free verse, nonsense verse, and social conscience. [38] Francisco X. Alarcón (1954–2016) first started writing poetry for children in 1997 after realizing there were very few books written by Latino authors. His poems are minimalist and airy, and ...
The form of Cockney slang is made clear with the following example. The rhyming phrase "apples and pears" is used to mean "stairs". Following the pattern of omission, "and pears" is dropped, thus the spoken phrase "I'm going up the apples" means "I'm going up the stairs". [10] The following are further common examples of these phrases: [10] [11 ...
Colloquialism (also called colloquial language, everyday language, or general parlance) is the linguistic style used for casual (informal) communication. It is the most common functional style of speech, the idiom normally employed in conversation and other informal contexts . [ 1 ]
An idiom is a common word or phrase with a figurative, non-literal meaning that is understood culturally and differs from what its composite words' denotations would suggest; i.e. the words together have a meaning that is different from the dictionary definitions of the individual words (although some idioms do retain their literal meanings – see the example "kick the bucket" below).
The terms "nursery rhyme" and "children's song" emerged in the 1820s, although this type of children's literature previously existed with different names such as Tommy Thumb Songs and Mother Goose Songs. [1] The first known book containing a collection of these texts was Tommy Thumb's Pretty Song Book, which was published by Mary Cooper in 1744 ...
Poems by form (4 C) Poetic rhythm (3 C, 93 P) R. Rhyme (1 C, 46 P) S. Stanzaic form (1 C, 72 P) Pages in category "Poetic forms" The following 142 pages are in this ...
Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry.In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the time of the Romantic revolution, when William Wordsworth challenged the distinction in his Romantic manifesto, the Preface to the second (1800) edition ...
The dominant form of German lyric poetry in the period was the minnesang, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". [12] Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. [ 12 ]