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Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Karaoke Superstars is the first major release album by the Christian rock band Superchic[k].Before being signed to Inpop Records, the album was released independently. It did not include the three final remix tracks and featured different cover art.
The song's lyrics feature various sexual innuendos. "Poker Face" was acclaimed by most critics, who praised the song's robotic hook and chorus. The song attained worldwide success, topping the charts in 20 countries including the United States, the United Kingdom, Australia, New Zealand, Canada and many European countries.
The acronym BBBW stands for Big Beautiful Black Woman. [6] Another variant is SSBBW: Supersized Big Beautiful Woman. There is no formal definition which explains the exact difference between BBW and SSBBW. Some BBWs or SSBBWs consider themselves to be feedees. [7] Dimensions Magazine considers a woman over 350 pounds (160 kg) to be an SSBBW. [3]
"Come Clean" is a song by American singer Hilary Duff for her second studio album, Metamorphosis (2003). It was written by Kara DioGuardi and John Shanks , while production was handled by Shanks. The song contains influences of electronica and techno , with the lyrics chronicling the protagonist wanting to "come clean" with her love interest ...
In 2009, the song was rearranged for the second film of the Rebuild of Evangelion series, as "Beautiful World (Planitb Acoustica Mix)". It was released as a digital download on June 28, 2009. Utada worked with Russell McNamara, who had previously made remixes of her songs "Distance", "Traveling", "Hikari" and "Simple and Clean" between 2001–2002.
Along with "If Your Girl Only Knew", "One in a Million" was one of the earliest songs which Aaliyah recorded with Timbaland and Missy Elliott. [2]According to Elliot, she wrote the song in a rap-singing style because she didn't know how to write songs for singers, explaining: "Because I wasn't really a singer like that, that's why I wrote like that, because I was a rapper, but I didn't know ...
"Candyman" was described as a pop song by Leah Greenblatt from Entertainment Weekly; [1] Stylus Magazine's Thomas Inskeep opined that it imitated swing music, [2] while Joan Anderman from The Boston Globe commented that Perry and Aguilera attempted to modernize early 20th century pop and blues "only to end up imitating the Andrews Sisters," [3] and Slant Magazine's Sal Cinquemani characterized ...