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The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. [ 2 ] Madhushala was part of his trilogy inspired by Omar Khayyam 's Rubaiyat , which he had earlier translated into Hindi.
Chhayavad (Hindi: छायावाद) (approximated in English as "Romanticism", literally "Shaded") refers to the era of Neo-romanticism in Hindi literature, particularly Hindi poetry, 1922–1938, [1] and was marked by an increase of romantic and humanist content.
Hindi has a rich legacy of poetry. There are several genres of poetry based on Ras, Chhand and Alankar (e.g., Shringar, Karun, Veer, Hāsya, etc.). [13] Hasya Kavita is humorous comic poetry in Hindi. It is particularly famous due to Hindi kavi sammelans. Bal kavita is children's rhymes in Hindi. Many attempts have been made to document Hindi ...
Wife awaits her Husband, Verse 76, Amaru Shataka by Amaru, early 17th-century painting. The Amaruśataka or Amarukaśataka (अमरुशतक, "the hundred stanzas of Amaru"), authored by Amaru (also Amaruka), is a collection of poems dated to about the 7th [1] or 8th century.
Gopal Singh Nepali (1911–1963), poet of Hindi literature and lyricist of Bollywood; Gopal Prasad Vyas (1915–2005), poet, known for his humorous poems; Gopaldas Neeraj (born 1924), poet and author; Girish Tiwari; Gulab Khandelwal (born 1924), poetry including some in Urdu and English; Gulzar (born 1934), poet, lyricist, film director; Guru ...
In the 19th century, American Transcendentalist writers and many German Romantic writers became interested in Indian poetry, literature and thought. In the 20th century, few Western poets became interested in Indian thought and literature, and the interest of many of those was minor: T. S. Eliot studied Sanskrit at Harvard, but later lost interest.
Mahadevi Verma (26 March 1906 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and eminent personality of Hindi literature.She is considered one of the four major pillars [a] of the Chhayawadi era in Hindi literature. [1]
For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is transient and influenced by the beloved's presence. Similarly, "Gongay laboun pe hurf-e-tamanna kiya mujhe" (I am a wish on mute lips) metaphorically portrays unspoken desires.