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George Schlatter (born December 31, 1929) is an American television producer and director, best known for Rowan & Martin's Laugh-In, founder of the American Comedy Awards, and author of Still Laughing: A Life in Comedy (Unnamed Press 2023). For his work on television, Schlatter has a star on the Hollywood Walk of Fame at 7030 Hollywood Blvd. [1]
Laugh-In had its roots in the humor of vaudeville and burlesque, but its most direct influences were Olsen and Johnson's comedies (such as the free-form Broadway revue Hellzapoppin'), the innovative television works of Ernie Kovacs (George Schlatter's wife, Jolene Brand appeared in Kovacs' shows), and the topical TV satire That Was the Week ...
Colossal started producing computer animation in 1983, when they collaborated with Pacific Data Images to produce a commercial for the Atari game Joust and a network ID for MTV. In 1986, Colossal began working with Western Images using a Quantel Harry unit, resulting in Colossal being able to create state-of-the-art computer graphics.
Turn-On is an American surreal sketch comedy series created by Digby Wolfe and George Schlatter that aired once on ABC on Wednesday, February 5, 1969. Only one episode was shown partially before being pulled from ABC's airing schedule, leaving another episode unaired.
The production had a limited run at the Pantages Theater, Hollywood, California, and at the Theater at the Theater at Madison Square Garden, and she also joined the limited US tour. [15] [16] Worley played Mrs. Tottendale in the Broadway musical, The Drowsy Chaperone at the Marquis Theatre from July through December 2007. She then reprised the ...
[19] R.H. Gardner of The Baltimore Sun said that "the humor is not far above the level of 'Abie's Irish Rose,' another funny play which had a somewhat longer run when it opened several decades ago, but it is no less effective for thai Indeed, as adapted by director George Schlatter, Ron Clark and Sam Bobrick from the Messrs. Clark's and Bobrick ...
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain. Although it is free of copyright restrictions, this image may still be subject to other restrictions.
This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain. Although it is free of copyright restrictions, this image may still be subject to other restrictions.