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Painting on silk is considered to be a traditionally Chinese art form, although Chanh [3] argued it ‘expressed the national (Vietnamese) character to the highest degree’ and goes on to talk about the enthusiastic reception given to his and other artists in their exhibition in Hanoi, 1954-1955, where opinion stated that the paintings were ...
Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success ...
Known as Chinese export paintings, the trade thrived throughout the Qing dynasty. In the late 19th and 20th centuries, Chinese painters were increasingly exposed to Western art. Some artists who studied in Europe rejected Chinese painting; others tried to combine the best of both traditions.
The author further noted that the book recorded "from the legendary figure Shihuang (also known as Cangjie, the chief minister of the Yellow Emperor, skilled in painting) to the first year of the Hui Chang era in the Tang dynasty, a total of 372 individuals were included. The sequence is meticulously arranged, and the evaluations are quite ...
The Four Masters of the Ming dynasty (Chinese: 明四家; pinyin: Míng Sì Jiā) are a traditional grouping in Chinese art history of four famous Chinese painters that lived during the Ming dynasty. The group consists of Shen Zhou (1427–1509), Wen Zhengming (1470–1559), Tang Yin (1470–1523), and Qiu Ying (c.1494–c.1552).
Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).
Wang was born in Taicang in the Jiangsu province [2] and tutored in painting by his grandfather Wang Shimin (1592–1680). [3] His style name was 'Mao-ching' and his sobriquet was 'Lu-t'ai'. Wang is a member of the Six Masters of the early Qing period, also known as the 'Four Wangs, a Wu and a Yun'. They are also often regarded as the principal ...
As with most Song artists, few of Li Tang's paintings survive, and most are of questionable authorship. The large hanging scroll Wind in Pines Among a Myriad Valleys (also known as Whispering Pines in the Mountains ; National Palace Museum , Taipei , Taiwan ) is the only painting that bears a clear signature by the artist, which is placed on ...