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Salt glazed pottery was also popular in North America from the early 17th century until the early 19th century, [13] indeed it was the dominant domestic pottery there during the 19th century. [14] Whilst its manufacture in America increased from the earliest dated production, the 1720s in Yorktown , significant amounts were imported from ...
Westerwald pottery, or Westerwald stoneware, is a distinctive type of salt glazed grey pottery from the Höhr-Grenzhausen and Ransbach-Baumbach area of Westerwaldkreis in Rheinland-Pfalz, Germany. Typically, Westerwald pottery is decorated with cobalt blue painted designs, although some later examples are white.
Various manufacturing processes were in use at different periods of time, [6] frequently overlapping. Four categories for those produced up to 1900 are: [7] Circa 1740–1780 Early figures: rare salt-glazed stoneware with limited range of colours; coloured lead glazes applied to the biscuit body, then fired.
While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface ...
The pottery factory that started in 1861 continues to the present day under the names of Red Wing Pottery and Red Wing Stoneware. [ 1 ] [ 2 ] There was a respite in production when Red Wing Pottery Sales, Inc. had a strike in 1967 causing them to temporarily cease trading.
Three types: Glazed, Reduced and Deritend cooking pot ware Birmingham [6] Ham Green Pottery: Early 12th to mid 13th centuries AD Two types of decorated jugs: earlier yellow-splashed plain glaze and a later more green glaze Somerset [7] Humber ware: Late 13th to early 16th centuries AD Hard-fired, iron-rich usually red-bodied wares North ...
This period therefore saw a considerable number of new stoneware product ranges, some of which were targeted specifically at the American market. In 1967 the name of the pottery was changed yet again to Langley Pottery Ltd. Principal designers during this period were the father and son team of Albert and Glyn Colledge and also Gill Pemberton ...
Pfaltzgraff Folk Art stoneware (1977 to 1983) modeled on early American salt glazed pottery; the stenciled pattern "Yorktowne" is Pfalzgraff's most popular. Pfaltzgraff America chargers designed by David Walsh in collaboration with Museum of American Folk Art, 1983 to 1985
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