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The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
Ballata – 13th–15th-century Italian musical and poetic form based on an AbbaA structure that acted as a form of dance music. Ballet – a specific style of French classical music created to accompany the ballet dance. Baltimore club – a music style originated from Baltimore that combines hip hop music, breakbeat, and house music.
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below.
Renaissance music (1400–1600) Baroque music (1600–1750) Galant music (1720–1770) Classical period (1750–1820) Romantic music (1780–1910) 20th and 21st-centuries classical music (1900–present): Modernism (1890–1930) Impressionism (1875 or 1890–1925) Neoclassicism (1920–1950) High modernism (1930–present) Postmodern music ...
Lully's music was written during the Middle Baroque period, 1650 to 1700. Typical of Baroque music is the use of the basso continuo as the driving force behind the music. The pitch standard for the French opera at the time was about 392 Hz for A above middle C, a whole tone lower than modern practice where A is usually 440 Hz. [17]
Music portal; List of French classical composers (chronological) Lists of composers; References This page was last edited on 5 December 2024, at 14:16 (UTC). Text is ...
In the context of French baroque music the grand motet primarily contrasted with the petit motet. The first distinction is evident in the name; the grand form was truly grand (big) in proportion calling for double choirs and massed orchestral forces, whereas the petit form was a chamber genre for one or two solo voices, one or two solo instruments, and basso continuo - the basso continuo ...