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Stephen Toussaint (born 22 March 1965) is a British actor and writer. He first gained prominence through his role in the ITV crime drama The Knock (1994–2000). Currently, he plays Lord Corlys Velaryon in the HBO fantasy series House of the Dragon. His films include Shooting Dogs (2005) and Prince of Persia: The Sands of Time (2010).
Flight of Fury is a 2007 American action film directed by Michael Keusch, and starring Steven Seagal, who also co-wrote the screenplay with Joe Halpin. The film co-stars Steve Toussaint, Angus MacInnes and Mark Bazeley. The film was released direct-to-DVD in the United States on February 20, 2007.
The film is dedicated to director/screenwriter Jim Sheridan's brother Frankie, who died at the age of ten. [2] In The Making of in America, a featurette on the DVD release of the film, Sheridan explains Christy and Ariel are based on his daughters—and co-writers—Naomi and Kirsten. He says they wanted to make a film showing how people can ...
A film about the controversy in America surrounding the life of Christopher Columbus, an Italian official commissioned by the Spanish Crown to find an alternate commercial route to Asia by travelling West. Commentators challenge traditional representations of Christopher Columbus, bringing issues of imperialism, colonialism, racism, greed ...
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The Glass Menagerie, 1950; Panic in the Streets, 1950; Adventures of Captain Fabian, 1951; Drums in the Deep South, 1951; I'd Climb the Highest Mountain, 1951; Show Boat, 1951; A Streetcar Named Desire, 1951
Film(s) "Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" (1888), Ernest Thayer: Casey at the Bat (1916) Casey at the Bat (1927) Make Mine Music (1946) "The Charge of the Light Brigade" (1854), Alfred, Lord Tennyson: Balaclava (1928) The Charge of the Light Brigade (1912) The Charge of the Light Brigade (1936)
Bosley Crowther, the film critic for The New York Times, liked the film and in 1945 wrote, "The Southerner may not be an 'entertainment' in the rigid Hollywood sense and it may have some flaws, but it is, nevertheless, a rich, unusual and sensitive delineation of a segment of the American scene well worth filming and seeing." [17]