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Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. [1] The term for both modern lyric poetry and modern song lyrics derives from a form of Ancient Greek literature , the Greek lyric , which was defined by its musical accompaniment, usually on an instrument known as ...
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
Other lyric poets of the period include Francesco Molza, Giovanni della Casa and Pietro Bembo, [111] and women Vittoria Colonna, Veronica Gambara, Tullia d'Aragona, and Giulia Gonzaga. [112] Isabella di Morra is a singular example of female poetry of the time. [113] Many tragedies were written in the 16th century, but they are all weak.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
For example, Sappho frr. 130 – 131 (and the final lines of fr. 94's stanzas) are composed in a shortened version (gl d) of the meter used in Book II of her poetry. However, the surviving poetry also abounds in fragments in other meters, both stanzaic and stichic, some of them more complicated or uncertain in their metrical construction.
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Since the Middle Ages the terms "Sapphic stanzas" or frequently simply "Sapphics" have come to denote various stanzaic forms approaching more or less closely to Classical Sapphics, but often featuring accentual meter or rhyme (neither occurring in the original form), and with line structures mirroring the original with varying levels of fidelity.
However, "I syng of a mayden" is a unique instance of this lyric. Although the Sloane Manuscript is the only surviving textual source, the bibliographer and Shakespearean scholar W. W. Greg proposed that the poem's similarity to a much earlier 13th-century poem held at Trinity College, Cambridge (MS. B. 13.