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Frances-Marie Uitti (born 1948), cellist known for performing contemporary classical music; Christine Walevska (born 1945), international classical cellist, recording artist and educator; Wendy Warner (born c. 1972), international orchestral cellist, chamber musician and educator; Alisa Weilerstein (born 1982), classical cellist, soloist and ...
Ida Faber-Gille (1910–2003), classical guitarist and music educator; Else Goguel (1924–2017), classical guitarist and music educator, member of the "Buch-Terzett" in Leipzig and the "Gitarrenensemble Bruno Henze" in Berlin; Maria Kämmerling (born 1946), specializing in contemporary classical guitar music, educator in Denmark
Pages in category "Contemporary classical music performers" The following 126 pages are in this category, out of 126 total. This list may not reflect recent changes .
Kyla Greenbaum (1922–2017), British pianist who specialised in contemporary music; Margaret Kitchin (1914–2008), Swiss-born British pianist who specialised in contemporary music; Harriet Hague (1793–1816), pianist and composer; Myra Hess (1890–1965), classical pianist who maintained morale by playing during World War II
This is a list of 21st-century classical composers, sortable by name, year of birth and year of death. The list includes composers who have made classical music since 2001. The 21st century is defined by the calendar rather than by any unifying characteristics of musical style or attitude, and is therefore not an era of the same order as the ...
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The following is a partial and sortable list of female classical conductors. Classical conductors work with orchestras, opera companies, ballet companies and choral groups. [1] [2] This list exists in the historical context of a lack of female classical conductors in the music profession. [3] [4] [5]
Women are active in all aspects of classical music, such as instrumental performance, vocal performance, orchestral conducting, choral conducting, scholarly research, and contemporary composition. However, proportionately to men, their representation and recognition -especially at higher levels- falls a long way below their numbers.