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It was dedicated to "Black and Unknown Bards" and in compiling it Kerlin sought high quality poetry but also "at least one fundamental quality of poetry, namely, passion." Negro Poets and Their Poems also includes biographical information about and some photographs of the poets whose work is included. In 1986, the scholar Vilma R. Potter noted ...
The Poetry Foundation wrote that poets in the Harlem Renaissance "explored the beauty and pain of black life and sought to define themselves and their community outside of white stereotypes." [2] Poets such as Langston Hughes, James Weldon Johnson, and Countee Cullen became well known for their poetry, which was often inspired by jazz. [3]
Breyten Breytenbach (Afrikaans pronunciation: [ˈbrɛitən ˈbrɛɪtənbaχ]; 16 September 1939 – 24 November 2024) was a South African writer, poet, and painter.He became internationally well-known as a dissident poet and vocal critic of South Africa under apartheid, and as a political prisoner of the National Party–led South African Government.
African American literature is the body of literature produced in the United States by writers of African descent. Olaudah Equiano (c. 1745–1797) was an African man who wrote The Interesting Narrative of the Life of Olaudah Equiano, an autobiography published in 1789 that became one of the first influential works about the transatlantic slave trade and the experiences of enslaved Africans.
The anthology is considered one of the major anthologies of black poetry to be published during the Harlem Renaissance, and was republished in 1969. In reviews, the anthology has been positively received for the effort it made to compile poetry, but criticized for ambiguous criticism and poor selection of poems.
Kelly says that genuine feeling expressed in the poems is not enough to overcome the lack of structure and form. Ending his critique, he states that black poets would have been better served by an anthology that focused on quality rather than themes, calling Poems of Black Africa "provocative and embarrassing". [4]
God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man .
The scholar Allan Burns feels that the poem is written from the perspective of a "'soul' or 'consciousness' of black people in general" rather than Hughes himself. Burns also notes the progression of rivers through the poem from the Euphrates to the Mississippi follows a chronology of history "from the Garden of Eden [. . .] to