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Marwar is a term that has emerged from the word marupradesh or land of the dead. It signifies the harsh conditions of Thar desert. The desert land and the ensuing difficult life is interspersed with cultural art forms to add joy to harsh lives. Marwar has a distinct cultural idiom, and thus had developed a distinct school of painting.
In these painting each raga is personified by a colour, mood, a verse describing a story of a hero and heroine (nayaka and nayika), it also elucidates the season and the time of day and night in which a particular raga is to be sung; and finally most paintings also demarcate the specific Hindu deities attached with the raga, like Bhairava or ...
Upon hearing of this news, the Marwar loyalists led by Sonig Rathore and Ram Bhati captured the fort of Jodhpur from the Mughal officers, Tahir Beg and Tahawar Khan. Other loyalists like Sujan Singh also captured the forts of Siwana and Merta. [1] Ajit Singh was soon crowned, and great rejoicing took place in Marwar.
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
Bani Thani, Kishangarh miniature from c. 1750, at the National Museum, New Delhi. Bani Thani was a singer and poet in Kishangarh in the time of Raja Sawant Singh (1748–1764), whose mistress she became.
Durgadas Rathore's painting in Mehrangarh museum, the Rathore minister who rescued Ajit Singh and rallied for his cause. Marwar and Mewar joined hands to oppose Aurangzeb together but were defeated in the Battle of Debari in 1680. [101] Aurangzeb sent his son Muhammad Akbar to capture Ajit but Akbar ended up rebelling against his father in 1681 ...
Dominant form of the Indian painting in late medieval period was manuscript painting and the earliest Indian books were "usually on pages made from leaves of the talipot palm; long and horizontal in format, the pages were pierced and threaded onto cords tied between wooden covers.
This page was last edited on 3 February 2024, at 09:54 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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