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Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [1]
Jesus The Christ Pantocrator of Saint Catherine's Monastery at Mount Sinai, 6th century AD Born c. 6 to 4 BC [a] Herodian kingdom, Roman Empire Died AD 30 or 33 (aged 33 or 38) Jerusalem, Judaea, Roman Empire Cause of death Crucifixion [b] Known for Central figure of Christianity Major prophet in Islam and in Druze Faith Manifestation of God in BaháΚΌí Faith Parent(s) Mary, Joseph [c] Jesus ...
Christ Healing the Blind (Champaigne) Christ in Glory with Four Saints and a Donor; Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez) Christ in the House of Martha and Mary (Vermeer) Christ on the Mount of Olives (Caravaggio)
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art, [1] it had been reproduced over half a billion times worldwide by the end of the 20th century. [2]
According to tradition, the image was found in a cave and had healing power. [3] According to scholarly work, the image was sculpted by a Portuguese artist in 1594. [ 4 ] In the late nineteenth century, the cult was buffeted by the political conflicts between conservatives who supported the Catholic Church and Guatemalan liberals, who were ...
This category is for specific works that include depictions of Jesus in the visual arts. For articles covering ways of depicting scenes or types of depictions of Jesus in general, see the sub-category Category:Iconography of Jesus. For images of Jesus as an infant with his mother, see Category:Madonna and Child in art.
Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations. Images of the Virgin Mary and saints are much rarer in Protestant art than that of Roman Catholicism and Eastern Orthodoxy. Christianity makes far wider use of images than ...
The banner on the Triumphal cross is usually white and has a red cross, symbolizing the victory of the resurrected Christ over death. The symbol derived from the 4th century vision of the Roman Emperor Constantine the Great and his use of a cross on the Roman Standard. [23] Resurrection (Annibale Carracci), 1593, Louvre