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Another major work of science fiction, from the early 20th century, is A Voyage to Arcturus by Scottish writer David Lindsay, first published in 1920. It combines fantasy, philosophy, and science fiction in an exploration of the nature of good and evil and their relationship with existence.
Vers une architecture, recently translated into English as Toward an Architecture but commonly known as Towards a New Architecture after the 1927 translation by Frederick Etchells, is a collection of essays written by Le Corbusier (Charles-Edouard Jeanneret), advocating for and exploring the concept of modern architecture.
Literature of the 20th century refers to world literature produced during the 20th century (1901 to 2000). The main periods in question are often grouped by scholars as Modernist literature, Postmodern literature, flowering from roughly 1900 to 1940 and 1960 to 1990 [1] respectively, roughly using World War II as a transition point.
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and subjective experience. [2] Philosophy, politics, architecture, and social issues were all aspects of this movement.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
In 1982, he was elected as a member of the Art Workers' Guild [3] and in 2020 was elected to Master. [4] In 2008 Powers was elected to an Honorary Fellowship of the Royal Institute of British Architects in recognition of his standing as one of the pre-eminent experts in the history of 20th-century architecture.
Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and mentoring hundreds of apprentices in his Taliesin Fellowship. [ 1 ] [ 2 ] Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture .
Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works: