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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
One night, she finds a drunk man named Lloyd sleeping in a shed on her property, but allows him to stay when he denies any knowledge of the killings, eventually inviting him into her guest room. Lloyd helps her with the flock, and encourages her to go into town and visit the pub more often, but she is resistant, preferring to be alone.
Bird vocalization includes both bird calls and bird songs. In non-technical use, bird songs (often simply birdsong ) are the bird sounds that are melodious to the human ear. In ornithology and birding , songs (relatively complex vocalizations) are distinguished by function from calls (relatively simple vocalizations).
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
That is, the implied seventh chord is a dominant seventh, i.e. a major triad plus the minor seventh, to which the ninth is added: e.g., a C 9 consists of C, E, G, B ♭ and D. C dominant ninth (C 9) would usually be expected to resolve to an F major chord (the implied key, C being the dominant of F).
Songwriter Harlan Howard once said "country music is three chords and the truth." [2] Lou Reed said "One chord is fine. Two chords is pushing it. Three chords and you're into jazz." [3] Reed nevertheless wrote many songs with unique or complex chord progressions himself, such as the material on Berlin.
It can be outside the tertian sequence of ascending thirds from the root, such as the added sixth or fourth, or it can be in a chord that doesn't consist of a continuous stack of thirds, such as the added thirteenth (six thirds from the root, but the chord doesn't have the previous tertian notes – the seventh, ninth or eleventh). The concept ...
According to author John Blaney, it was written during a vacation in Jamaica. [4] However, author Vincent Benitez claims the song was written as early as 1970 or 1971, noting that Paul and Linda sang the song during a live interview in New York City in 1971. [5] In Continental Europe it was also released as the B-side of the "Mrs. Vandebilt ...