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John Gall (born 1963 in New Jersey), is an American graphic designer known primarily for the design of book covers.. He is a graduate of Rutgers University. [1]Gall is currently the creative director of Alfred A. Knopf.
Our policy states that free images are always preferable to non-free images. [2] Including an image of the first edition is much more encyclopedic; it provides real information about the book, rather than about a modern publisher. It educates our users and the public about the history of these books and about the value of freely licensed material.
The Book Cover Archive "Decorated Publishers Bindings-Grand Valley State University Archives and Special Collections". Archived from the original on 2013-01-06. – containing photographs of decorated publisher bindings from the 1870s to 1930. Historical book cover design gallery (archived 10 January 2007)
Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve ...
Throughout his career, Kidd has been a graphic designer, book designer, editor, author, lecturer and musician. According to Graphic Design: American Two, he has been credited with “helping to spawn a revolution in the art of America book packaging in the last ten years.” [3] One of the most consistent characteristics of Kidd's style is the fact that his book covers don't carry one ...
OLM, Inc. (Japanese: 株式会社オー・エル・エム, Hepburn: Kabushiki-gaisha Ō Eru Emu), (formerly Oriental Light and Magic), is a Japanese animation and film studio headquartered in Setagaya, Tokyo, Japan, [2] founded on October 3, 1990, by former Studio Gallop and OB Planning employees.
Pen & Pixel apparently refused to produce possibly political covers. [6] [7] In 2020, Pen & Pixel came out of retirement to design the cover art for 21 Savage and Metro Boomin's Savage Mode II. [8] The artwork is in their signature design, "heavily" inspired by those of Cash Money and No Limit and is a nod to the "bling rap" album covers of the ...
After working in New York City in the early 1950s for John Hermansader and Esquire magazine [2] and Margaret Hockaday's advertising firm, [3] Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs.
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