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The Star of David, a symbol of Judaism as a religion, and of the Jewish people as a whole. [1] It also thought to be the shield (or at least the emblem on it) of King David. Jewish lore links the symbol to the "Seal of Solomon", the magical signet ring used by King Solomon to control demons and spirits. Jewish lore also links the symbol to a ...
Sarah, Rebekah, Rachel, and Leah, Judaism's Four Matriarchs; Tamar, daughter-in-law, and then levirate wife, of Judah; Tamar, daughter of David, raped by Amnon; Yoav, relative of King David, impulsive military leader; Zilpah and Bilhah, additional wives of Jacob, mothers of four of the twelve Tribes; Zipporah, Moses' wife, daughter of Jethro, a ...
The patriarchs (Hebrew: אבות ʾAvot, "fathers") of the Bible, when narrowly defined, are Abraham, his son Isaac, and Isaac's son Jacob, also named Israel, the ancestor of the Israelites. These three figures are referred to collectively as "the patriarchs", and the period in which they lived is known as the patriarchal age .
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Ancient Jewish art, is art created by Jews in both the Land of Israel and in the Diaspora prior to the Middle Ages. It features symbolic or figurative motifs often influenced by biblical themes, religious symbols, and the dominant cultures of the time, including Egyptian , Hellenistic , and Roman art .
Aholibamah (Hebrew: אָהֳלִיבָמָה ʾĀhŏlīḇāmā; "My tabernacle of/is height/exaltation" or "Tent of the High Place" [1]), is an eight-time referenced matriarch in the biblical record. [2] Aholibamah was the daughter of Anah and granddaughter of Zibeon the Hivite, [3] son of Seir the Horite. [4]
The preexilic portions of the Hebrew Bible are not familiar with the matrilineal principle. Numerous Israelite heroes and kings married foreign women; for example, Judah married a Canaanite, Joseph an Egyptian, Moses a Midianite and an Ethiopian, David a Philistine, and Solomon women of every description.
In the Yiddish portion of her text (accessible to her female readers), Leah laments the bitterness of the exile and names the New Moon as a time of favor. The protection of each of the four biblical matriarchs is invoked. The central model she presents is the midrashic trope of the children of Israel going into exile, weeping at Rachel's grave.