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Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and founding member of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society.
The Social Sculpture Lab continues to engage with, develop and share Beuys' social sculpture understandings through such initiatives as the 7000 HUMANS Global Social Forest,. which has close connections with Beuys' 7000 Oaks, Sacks' social sculpture-connective practice methodologies, and a growing network of Social Sculpture Hubs in Germany ...
The Sacred Gaze: Religious Visual Culture in Theory and Practice, Berkeley: University of California Press. [24] It had reviews in Choice Reviews, [ 25 ] Scripture Bulletin, [ 26 ] The Art Newspaper , [ 27 ] Winterthur Portfolio , [ 28 ] American Journal of Sociology , [ 29 ] Church History, [ 30 ] The Expository Times , [ 31 ] Material ...
Social Theory and Practice is a peer-reviewed academic journal that features discussion of theoretical and applied questions in social, political, legal, economic, educational, and moral philosophy, including critical studies of classical and contemporary social philosophers. Established in 1970, it publishes original philosophical work by ...
Ekaterina Vasileva (July 29, 1972, Leningrad) is a Russian art critic, specialist in the history and theory of photography,fashion, design and contemporary art.Candidate of Sciences, Associate Professor at Saint Petersburg State University. [1]
e-flux is a publishing platform and archive, artist project, curatorial platform, and e-mail service founded in 1998. [1] The arts news digests, events, exhibitions, schools, journal, books, and art projects produced and/or disseminated by e-flux describe strains of critical discourse surrounding contemporary art, culture, and theory internationally. [2]
Bishop's book Artificial Hells: Participatory Art and the Politics of Spectatorship (2012) is the first historical and theoretical overview of socially engaged participatory art, best known in the U.S. as "social practice." In it, Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a ...
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...