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Beyond science fiction books, the term hopepunk has been applied to television shows, movies, and fictional characters. The Den of Geek hopepunk explainer gives examples such as Snowpiercer , when Curtis blows up the train; Mad Max: Fury Road , when Max and Furiosa return to the Citadel; and The Expanse , when Naomi allows desperate refugees ...
Several attempts to define the neologism [3] grimdark have been made: . Adam Roberts described it as fiction "where nobody is honourable and Might is Right", and as "the standard way of referring to fantasies that turn their backs on the more uplifting, Pre-Raphaelite visions of idealized medievaliana, and instead stress how nasty, brutish, short and, er, dark life back then 'really' was".
On the Writing of Speculative Fiction" is an essay by American science fiction writer Robert A. Heinlein. It was first published in 1947, also appearing in Writing Science Fiction & Fantasy: 20 Dynamic Essays By the Field's Top Professionals in 1993, and The Nonfiction of Robert Heinlein: Volume I in 2011.
Antithesis (pl.: antitheses; Greek for "setting opposite", from ἀντι-"against" and θέσις "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect. [1] [2]
Science fiction – genre of fiction dealing with the impact of imagined innovations in science or technology, often in a futuristic setting. [ 2 ] [ 3 ] [ 4 ] Exploring the consequences of such innovations is the traditional purpose of science fiction, making it a "literature of ideas".
Escapist fiction, also known as escape fiction, escapist literature, or simply escapism, is fiction that provides escapism by immersing readers in a "new world" created by the author. [1] The genre aims to compensate for a real world the reader perceives as arbitrary and unpredictable compared to the clear rules of the constructed "new world ...
The book was the twentieth of a series of books collecting essays from The Magazine of Fantasy and Science Fiction. Like most of the essays Asimov wrote for F&SF, each one in The Relativity of Wrong begins with an autobiographical anecdote which serves to set the mood.
In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.