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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Tobias and Sarah in Prayer with the Angel Raphael and the Demon; Tobias and the Angel (Filippino Lippi) Tobias and the Angel (Pollaiuolo) Tobias and the Angel (Savoldo) Tobias and the Angel (Verrocchio)
Saint Michael is an oil painting by the Italian artist Raphael. Also called the Little Saint Michael to distinguish it from a larger, later treatment of the same theme, Saint Michael Vanquishing Satan, it is now in the Louvre in Paris. [1] The work depicts the Archangel Michael in combat
Raphael was born in the city of Urbino in the year 1483. He moved to Florence in 1504 to study art. Having been exposed to the aesthetics of Florentine painters, Raphael's painting skills were elevated and refined. He adopted a certain style that emphasized musculature within the human form and a sense of tension created with intense ...
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
The Archangel Raphael and Tobias with Two Saints. The Archangel Raphael and Tobias with Two Saints is an undated oil painting by Cima da Conegliano, now in the Gallerie dell'Accademia in Venice. To the left of the composition is Saint James the Great and to the right is Saint Nicholas of Bari.
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The painting possesses an esthetic influence from Pinturicchio and Melozzo da Forlì, though the spatial orchestration of the work, with its tendency to movement, shows Raphael's knowledge of the Florentine artistic milieu of the 16th century. [2] The work was acquired by the São Paulo Museum of Art in 1954.