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Chinese musicology is the academic study of traditional Chinese music. This discipline has a very long history. This discipline has a very long history. Traditional Chinese music can be traced back to around 8,000 years ago during the Neolithic age.
People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
Chinese opera music is mainly composed of singing (vocal singing and aside) and instrumental accompaniment. [30] Chinese opera accent: There are different types of drama in different regions, but they all have similarities. The four major accents in modern times are Kunshan accent (Kunshan), high accent , Pihuang accent, and Bangzi accent. [31]
Recent changes; Upload file; Search. Search. ... Chinese music history (3 C, 4 P) ... Central Asian and Chinese music; Chinese musicology;
Chinese Music is the only journal in the world devoted wholly to theoretical and applied Chinese music. Chinese Music provides a forum for original papers concerned with musicology, musical life, composition, acoustics, analysis, orchestration, musicians, global interactions, intercultural studies, and musical instruments.
Gongche notation, dating from the Tang dynasty, used Chinese characters for the names of the scale. Octave positions are sometimes shown by the addition of an affix or small mark. A chromatic scale could be produced from this by the use of the prefixes gao- (high) to raise a note, or xia- (low) to lower it, by a semitone; but after the 11th ...
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Guido Adler , however, in one of the texts that founded musicology in the late 19th century, wrote that "the science of music originated at the same time as the art of sounds", [ 3 ] where "the science of music" ( Musikwissenschaft ...
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient