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The "bridge" consists of a series of dominant seventh chords (III 7 –VI 7 –II 7 –V 7) that follow the circle of fourths (ragtime progression), sustained for two bars each, greatly slowing the harmonic rhythm as a contrast with the A sections. This is known as the Sears Roebuck bridge, named after Sears, Roebuck and Co. [11]
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Montgomery-Ward bridge in C Play ⓘ Montgomery-Ward bridge with ii–Vs in C Play ⓘ In jazz music, the Montgomery-Ward bridge (also Riepel's Monte) is a standard chord progression often used as the bridge, or 'B section', of a jazz standard. The progression consists, in its most basic form, of the chords I 7 –IV 7 –ii 7 –V 7.
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a 32-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a ...
Slash notation in 4/4 with a slash on each beat under a i7 iv7-V7 chord progression in B ♭ minor. Slash notation is a form of purposefully vague musical notation which indicates or requires that an accompaniment player or players improvise their own rhythm pattern or comp according to the chord symbol given above the staff.
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Ragtime progression's origin in voice leading: II itself is the product of a 5–6 replacement over IV in IV–V–I."Such a replacement originates purely in voice-leading, but" the 6
A traveling scoreslip (also called a traveler) is a form used for recording the results of each deal in a duplicate bridge tournament. [1] In these tournaments, the four hands of each deal are placed into a board so that the same deal can be played by different competitors. Each time the deal (or board) is played, the result is entered into the ...