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We are His people, and the sheep of His pasture. Polyphonic chorus: O go your ways into His gates with thanksgiving And into His courts with praise Be thankful unto Him, and speak good of His name. Trio, soprano, tenor and bass: For the Lord is gracious, His mercy is everlasting And His truth endures from generation to generation.
Come before his countenance with joy. Realize that the Lord is God. He has made us, and not we ourselves, as his people and the sheep of his pasture. Go enter his gates with thanksgiving, To his courts with praise. Thank him, praise his name. For the Lord is friendly; And his mercy lasts forever, And his truth for ever and ever.
Know ye that the Lord he is God: it is he that hath made us, and not we ourselves: we are his people, and the sheep of his pasture. Enter into his gates with thanksgiving, and into his courts with praise: be thankful unto him, and bless his name. For the Lord is good, his mercy is everlasting: and his truth endureth to all generations.
Unlike in his operas, he set the work mostly for choir, divided in a double choir for Day by day we magnify thee and divided in eight parts for the homophon Glory be to the Father. In the Te Deum, Handel inserted short solos to achieve a variety of textures as in a concerto grosso, to express the words. In movement 2, the two alto soloists ...
Come before his countenance with joy. Realize that the Lord is God. He has made us, and not we ourselves, as his people and the sheep of his pasture. Go enter his gates with thanksgiving, To his courts with praise. Thank him, praise his name. For the Lord is friendly; And his mercy lasts forever, And his truth for ever and ever.
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Donald Trump takes a selfie with then-Rep. Matt Gaetz in the House chamber after Trump’s State of the Union address to a joint session of Congress on January 30, 2018.
The Five Mystical Songs are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. [1] The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection The Temple: Sacred Poems.