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Mimic 2 is a 2001 science fiction horror film, directed by Jean de Segonzac, with a script inspired by a short story of the same name by Donald A. Wollheim.The movie was a direct-to-DVD sequel to Mimic (1997), and was followed by Mimic 3: Sentinel (2003).
The movie was a direct-to-DVD sequel to Mimic (1997) and Mimic 2 (2001). Mimic 3: Sentinel stars horror film veteran Lance Henriksen and takes a departure from the tone of the first two films, as it has a feel similar to Alfred Hitchcock's Rear Window rather than the action/horror tone of its predecessors.
[6] The monster collection "Creature Catalog III" in Dragon No. 101 (September 1985) featured a creature by contributor Gregory Detwiler known as the metal mimic. The entry states that a metal mimic is a more powerful relative of the "ordinary" mimic, with all of the mimic's basic abilities and characteristics, but being able to imitate metal ...
Mimic went to Hank McCoy, the only person who had always aided him when he needed, for help. Mimic took Weapon Omega to the Xavier Institute where Beast found out that Weapon Omega was about to explode. The X-Men tried various ways to prevent the explosion. But in the end, the only way left outside of death was an induced artificial coma.
Assuming 20 different amino acids are randomly present at every position, the probability of finding a perfect match with a five-amino-acid-long motif is 1 in 3.2 X 10 6.In other words, we can expect to observe each different motif of five amino acids in length for one time in average, within two different proteomes containing total 3.2 X 10 6 ...
Davis's law is used in anatomy and physiology to describe how soft tissue models along imposed demands. It is similar to Wolff's law, which applies to osseous tissue. It is a physiological principle stating that soft tissue heal according to the manner in which they are mechanically stressed. [1]
In the simplest case, as in Batesian mimicry, a mimic resembles a model, so as to deceive a dupe, all three being of different species. A Batesian mimic, such as a hoverfly, is harmless, while its model, such as a wasp, is harmful, and is avoided by the dupe, such as an insect-eating bird. Birds hunt by sight, so the mimicry in that case is ...
[1] hooks ends the preface of the book with an explanation of why she chooses to write about love. She writes, "I write of love to bear witness both to the danger in this movement, and to call for a return to love. Redeemed and restored, love returns us to the promise of everlasting life. When we love we can let our hearts speak." [1]