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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The illustrations of his monumental Bible, published on December 1, 1865, to take advantage of Christmas sales, in all the capitals of Europe, gave him a reputation as religious painter. [5] He created several more or less spectacular religious paintings that were intended for the Doré Gallery, which included this monumental Christ Leaving the ...
Gustave Doré's illustrations for La Grande Bible de Tours; L. London: A Pilgrimage; P. Le Poème de la Vigne
In 1911, the minor league Los Angeles Angels held their spring training at the hot springs. Over time, a hotel and other amenities grew, including live music and miniature golf.
La Grande Bible de Tours, according to the Vulgate, new translation: 2 vols. grand in folio: 241: Mame, Tours; Cassell and Co., England [30] 1866: John Milton: Paradise Lost: 50 Plates: Cassell and Co. [30] 1867: La Bédollière: La France et la Russie (Paris) [30] 1867: Les Fables de Lafontaine: 2 vols. in folio: 8 large and 250 small plates ...
Italiano: Frontespizio per un'edizione illustrata del 1866 della Bibbia realizzato da Gustave Doré.L'incisione, che porta per titolo Il diluvio rappresenta degli uomini e una tigre che tentano invano di salvare la loro prole aggrappandosi ad una roccia non ancora sommersa dalle acque.
The services were held at the Bible Institute of Los Angeles (Biola University), in a 4,000 seat auditorium. [2] [3] [4] J. Vernon McGee was pastor of the church from 1949 to 1970. [5] The church relocated to Glendora, California in 1985. [1] The original downtown church building was demolished in the late 1980s.
London: A Pilgrimage is a book first published by Grant & Co in 1872, with text by the English journalist William Blanchard Jerrold and illustrations by the French artist Gustave Doré. It was originally published in 13 parts, with 191 pages and illustrations, and then serialised in Harper's Weekly. It has been described as a populist picture book.