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Marc-André Hamelin, OC, OQ (born September 5, 1961) is a Canadian virtuoso pianist and composer [1] who has received 11 Grammy Award nominations. [2] He is on the faculty of the New England Conservatory of Music .
Judd Palmer, The Maestro (children's book, 2002): the second volume in Palmer's Preposterous Fables for Unusual Children; set in Hamelin 30 years after the Piper has stolen the children, a girl who arrives in the village to live with her aunt and uncle commits the sin of singing and is exiled from Hamelin, beginning a journey that leads her to ...
Gaston Hamelin (27 May 1884 – 8 September 1951) was a French clarinetist and teacher. Born in Saint-Georges-sur-Baulche , Hamelin won the first prize for clarinet at the Paris Conservatory in 1904 under professor Charles Turban .
In 2018 Richard-Hamelin and Andrew Wan released an album, Beethoven: Violin Sonatas Nos. 6, 7 & 8; [17] in 2019 it was nominated for a Juno Award for Classical Album of the Year. [18] In February 2019, Richard-Hamelin gave a solo performance at Koerner Hall in Toronto, which was recorded by CBC Radio 2.
Roslavets: Piano Music. Piano Sonata No. 1 (1914) Prelude (1919 or 1921) 2 Compositions (1915) Piano Sonata No. 2 (1916) 2 Poems (1920) 5 Preludes (1919–1922) Piano Sonata No. 5 (1923) August 1996 Hyperion: 1996 Grainger: Piano Music. British Folk-Music Settings; No. 4 Shepherd's Hey No. 6 Londonderry Air No. 19 Molly on the Shore (1907) No ...
Dave Hamelin (born October 3, 1980) is a Canadian musician, songwriter and producer known for his work with indie rock band the Stills.Originally the band's drummer, he moved to guitar and co-lead vocalist in 2005 when guitarist Greg Paquet left the band.
Circus Galop is a piece written for player pianos by Marc-André Hamelin. It was composed between the years 1991 and 1994 and is dedicated to Beatrix and Jürgen Hocker, piano roll makers. Its duration is approximately 4–5 minutes. [ 1 ]
Corigliano partially based the form of the work on Robert Browning's narrative poem "The Pied Piper of Hamelin," arguably the most famous version of the tale. However, the composer altered the narrative to better fit a musical setting, explaining, "The biggest problem was that the legend per se had no elements of virtuosity in it; the Pied ...