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William Talbot [1] was a 19th century player, teacher, repairer and builder of the Irish bagpipes, commonly known as the uilleann pipes, the characteristic national bagpipes of Ireland. In 1821 he played for King George IV [ 2 ] at the Dublin Theatre Royal when the King visited Dublin in August 1821. [ 3 ]
The tone of the uilleann pipes is unlike that of many other forms of bagpipes. They have a different harmonic structure, sounding sweeter and quieter than many other bagpipes, such as the Great Irish warpipes, Great Highland bagpipes or the Italian zampognas. The uilleann pipes are often played indoors, and are almost always played sitting down.
Pastoral pipes: Although the exact origin of this keyed, or un-keyed chanter and keyed drones (regulators), pipe is uncertain, it developed into the modern uilleann bagpipe. Zetland pipes: a reconstruction of pipes believed to have been brought to the Shetland Islands by the Vikings, though not clearly historically attested.
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The chanter pipes may be designed to be played separately, one with each hand, or the two chanters may be played in unison (as in most Arabic bagpipes). One chanter may provide a drone accompaniment to the other, or the two chanters may play in a harmony of thirds and sixths (as in the northern Italian Müsa and central-southern Italian zampogna ).
Thomas "Tommy" Joseph Reck (8 November 1921 – 1991) was an Irish uilleann piper, known for his discography of traditional Irish music.Born in the Liberties area of Dublin, Reck learned to play the uilleann pipes from the age of eleven from teacher "Old John" Potts (1871–1950) who lived just around the corner from his then home in Walkinstown.
After many years of waiting for CCE to devote a greater effort to reviving the uilleann pipes he, and a small group of like minded pipers decided that it was "now or never" and so proceeded, much to the annoyance of CCE, to formally set up the Pipers Club in Dublin, an organisation that would foster and promote the uilleann pipes to ensure it ...
Robert Reid was also active in making Union Pipes; the precursor to modern Uilleann pipes. Union pipes early-19th century keyed D-Chanter; by the pipe maker Robert Reid. Henry Clough (I) was known to play a Reid set of Union pipes including regulators; surviving parts of this set are now in private hands. [6]