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1. High relief, usually between 1/2" and 2" in depth. 2. Bas relief, or Low relief usually under 1/2" in depth. 3. Deep relief, usually over 2" in depth. 4. Pierced relief, where holes are carved clear through the wood. Some carvers prefer to finish their carving with a clear finish. But others incorporate color and pyrography into their relief ...
Optical relief (usually noted as simply relief) is a visually observable property in optical mineralogy used to identify minerals based on their refractive index. Relief is determined by observing the degree to which grains stand out from a mounting medium of known refractive index, [ 1 ] usually either oil or Canada Balsam .
In order to create this depth, Donatello relied on the contrast between the low and high relief. The inclusion of low relief, in the architecture of the layered arches and in the background figures, allows for specific elements to appear farther away, while the high relief brings attention to the more highly detailed figures in the foreground ...
Relief (or local relief) refers specifically to the quantitative measurement of vertical elevation change in a landscape. It is the difference between maximum and minimum elevations within a given area, usually of limited extent. [5] A relief can be described qualitatively, such as a "low relief" or "high relief" plain or upland. The relief of ...
Donatello's Saint George Freeing the Princess of 1417, the first known stiacciato relief. Stiacciato (Tuscan) or schiacciato (Italian for "pressed" or "flattened out") is a technique where a sculptor creates a very shallow relief sculpture with carving only millimetres deep. [1] The rilievo stiacciato is primarily associated with Donatello ...
Valley – Low area between hills, often with a river running through it; Vale – Low area between hills, often with a river running through it; Wadi – River valley, especially a dry riverbed that contains water only during times of heavy rain; Waterfall – A point in a river or stream where water flows over a vertical drop
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Repoussé (French: ⓘ) or repoussage (ⓘ) is a metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create a design in low relief. Chasing (French: ciselure) or embossing is a similar technique in which the piece is hammered on the front side, sinking the metal. The two techniques are often used in ...