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Equivalent patterns in 4 4 and 3 4 [1] Play 4 4 ⓘ and Play 3 4 ⓘ Alberti bass patterns on V 7 Alberti bass in the opening of Thomas Attwood's (1765–1838) Sonatina in G Major [2] Play ⓘ Alberti bass in the opening of Muzio Clementi's Sonatina in G, Op. 36, No. 2 (1797) [3] Play ⓘ The opening of the 5th of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces ...
A series of arpeggios in J. S. Bach's Jesu, Joy of Man's Desiring "The Star-Spangled Banner" opens with an arpeggio. [1] Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment An arpeggio ( Italian: [arˈpeddʒo] ) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive ...
Part 2 contains material which should have been included in Part 1, in tutorials V [arpeggios] and VI ["for three hands"]. Part 3 presents additional material appropriate to Part 1, as appendices. A "Chromaticon" for Part 4, mentioned in a footnote to the foreword, had to be abandoned, and was hurriedly replaced with his edition of Eight Etudes ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
Flat 13 chords are altered dominants. 33 1/3. A vinyl record designed to be played at 33 1/3 rpm (rotations per minute). A 33 record has about enough space more than 20 minutes per side. 45. A 7-inch vinyl record designed to be played at 45 rpm (rotations per minute). A 45 record has about enough space for one song on each side. 78
Arpeggio, arpeggiando, arpeggiato - A bouncing stroke, played on broken chords, so that each note of the arpeggio is played on a different string. Tremolo - Chiefly used for orchestral playing, this consists of moving the bow back and forth in very short strokes extremely rapidly, not in precisely measured rhythm (usually at upper half of the bow).
The prelude is in common time and is composed of 20 bars, which are split into 2 periods of 10 bars each. The first period has a toccata-style melody which uses demisemiquaver (32nd note) broken chords and scale passages. In the first two bars, it uses a four-note sequence which drops by a third every half-bar.
The first four measures of this sentence have two voices leading the melody in thirds, and another voice leading the bass line. After four measures, only two voices continue. One voice plays the root of a chord, while the second voice plays a broken chord around it. This continues like so for another four measures, and ends with an imperfect ...