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Scratch Messiah, Royal Albert Hall 2015. A Scratch Messiah, People's Messiah, Come Sing Messiah, Sing-it-yourself Messiah, Do-it-yourself Messiah (DIY Messiah), or Sing along Messiah (the first two British and Australian usage, the last three common in North America) is an informal performance of Handel's Messiah in which the audience serves as the unrehearsed chorus, often supported by a ...
Messiah is not a typical Handel oratorio; there are no named characters, as are usually found in Handel’s setting of the Old Testament stories, possibly to avoid charges of blasphemy. It is a meditation rather than a drama of personalities, lyrical in method; the narration of the story is carried on by implication, and there is no dialogue.
O Come, Divine Messiah is a popular Christian hymn for the season of Advent before Christmas. It recalls the time of waiting of the people of Israel before the birth of Christ. This song is at the same time a call to adore Jesus Christ present in the Eucharist. The melody is taken from an old Christmas song of the 16th century, Let your beasts ...
The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah, George Frideric Handel's well-known oratorio from 1741. It is performed by a choir of all-star gospel , contemporary Christian , R&B and jazz singers, along with several actors.
Not the Messiah is a spoof of Handel's oratorio Messiah. "If our [Life of] Brian was by Matthew then this is by John (but more John Lennon and John Du Prez). In other words, it isn't sketches at all, but recitative and songs and the occasional Nine Carol Service Reader." [1] The musical style jumps around, and Idle described it as "baroque 'n ...
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The love-song which they bring; – Oh hush the noise, ye men of strife, And hear the angels sing! And ye, beneath life's crushing load, Whose forms are bending low, Who toil along the climbing way With painful steps and slow, Look now! for glad and golden hours Come swiftly on the wing; – Oh, rest beside the weary road And hear the angels sing!
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...