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The Tempos' "See You in September" failed to become a hit in the New York City area and despite breaking in San Francisco in June, the single did not reach the national charts until that July. Despite a subsequent swift ascent on the Billboard Hot 100 , the single's momentum fell sharply at the end of August with a resultant No. 23 peak.
See You Later is an album by the Greek electronic composer Vangelis, released in November 1980. [2] It breaks quite violently with the style he employed in the late 1970s and later, relying much more on vocals and being more experimental and returning (in many respects) to his early 1970s work like Earth or 666. [3]
"Tempo" is a song by American singer Chris Brown from his eighth studio album, Heartbreak on a Full Moon (2017). It was released by RCA Records as the sixth single from the album on February 6, 2018. [2] The song rose to number 36 on Billboard ' s Hot R&B/Hip-hop singles chart during the week of April 7. [3]
Tempo's initial releases after prison received mixed reviews. [ citation needed ] The single " Tu Historia " was released on February 14, 2015, and was considered a return to form for the artist. The song sharply criticizes modern hip hop reggaeton and Tempo's views on how the genre lost its essence in favor of mainstream propaganda.
"September" has a funk groove based on a four-measure pattern that is consistent between verses and choruses, built on a circle of fifths. [7]Written in the key of A major, and using a chord progression written by Earth, Wind & Fire guitarist Al McKay, vocalist Maurice White and songwriter Allee Willis wrote the song over one month.
"I See You" was written by James Horner and Kuk Harrell and produced by Simon Franglen as the official theme song to James Cameron's 2009 film, Avatar. [1] [2] It is the second time that Horner and Franglen have collaborated on a theme song for a film directed by Cameron, the first being "My Heart Will Go On", performed by Celine Dion and used for his 1997 film Titanic. [1]
The Number Twelve Looks Like You's music has been described as mathcore [15] [16] and screamo. [1] AllMusic describes them as a "particularly dark and dystopian form of screamo" that incorporates elements of "Japanese-style noise rock à la the Boredoms and the show-offy tempo, time signature, and dynamic shifts of Frank Zappa."