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The Production Company was an Australian not-for-profit theatre company that staged a series of usually three musicals at the Arts Centre Melbourne each year. [1]It was launched in 1999 by Jeanne Pratt AC [2] with the goal of providing "professional opportunities for local artists and to entertain Melbourne audiences with the best shows from Broadway and beyond". [3]
The company is best known for the production of artistic glass works and fragrances such as Lalique Encre Noire, primarily using crystal (lead glass) since the mid-twentieth century. The addition of perfumes (in 1992) [ 4 ] and non-glass decorative items and art (since 2011) [ 4 ] are recent additions to Lalique's product line.
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La Vie parisienne (French pronunciation: [la vi paʁizjɛn], Parisian life) is an opéra bouffe, or operetta, composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy. [1] This work was Offenbach's first full-length piece to portray contemporary Parisian life, unlike his earlier period pieces and mythological subjects.
La Vie du Rail magazine, generalist weekly centring on rail transport with an average circulation of over 100,000. Ville, rail & transports ("Town, rail & transport"): Initially weekly and titled Rail & Transport, it was then published every two weeks as Ville & transports magazine. In 2009 it merged with La Vie du rail international.
The company was founded by Felix and Emile Verdier in May 1850 [2] when Emile arrived in the San Francisco Harbor on a chartered ship, the Ville de Paris (City of Paris), loaded with silks, laces, fine wines, champagne, and Cognac. Verdier brothers had previously owned a silk-stocking manufacturer in Nîmes and Paris in France.
The closure of a marine zoo in the south of France has sparked intense debate over the future of its inhabitants, including two beloved orcas. Marineland Antibes, near Cannes, closed for good on ...
The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.