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0 4 7 9: Major Major sixth ninth chord ("6 add 9", [2] Nine six, [3] 6/9) Play ...
There is a difference between a major ninth chord and a dominant ninth chord. A dominant ninth is the combination of a dominant chord (with a minor seventh) and a major ninth. A major ninth chord (e.g., Cmaj 9), as an extended chord, adds the major seventh along with the ninth to the major triad. Thus, a Cmaj 9 consists of C, E
F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher.
Three types of ninth chords may be distinguished: dominant (9), major (M9), and minor (m9). [3] [4] They may easily be remembered as the chord quality of the seventh does not change with the addition of the second scale degree, [3] which is a major second in both major and minor, thus:
A closely related key can be defined as one that has many common chords. A relative major or minor key has all of its chords in common; a dominant or subdominant key has four in common. Less closely related keys have two or fewer chords in common. For example, C major and A minor have 7 common chords while C major and F ♯ major have 0 common ...
Power chords are also referred to as fifth chords, indeterminate chords, or neutral chords [citation needed] (not to be confused with the quarter tone neutral chord, a stacking of two neutral thirds, e.g. C–E –G) since they are inherently neither major nor minor; generally, a power chord refers to a specific doubled-root, three-note voicing ...
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