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  2. Waiting on the World to Change - Wikipedia

    en.wikipedia.org/wiki/Waiting_On_The_World_To_Change

    "Waiting on the World to Change" is a song by American singer-songwriter John Mayer. It was released as the lead single from his third studio album, Continuum (2006). The song enjoyed commercial success as a single and won the Grammy for Best Male Pop Vocal Performance at the 49th Grammy Awards .

  3. Piano Lessons (TV series) - Wikipedia

    en.wikipedia.org/wiki/Piano_Lessons_(TV_series)

    Piano Lessons is an American music education television series featuring piano lessons from Giuseppe Aldo Randegger. It originally aired in New York City on W2XAB (now WCBS-TV), a then- experimental television station of Columbia Broadcasting System (CBS), from October 8, 1931, to 1932.

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Try Some, Buy Some - Wikipedia

    en.wikipedia.org/wiki/Try_Some,_Buy_Some

    As reproduced in I, Me, Mine, Harrison's handwritten lyrics show the opening chord as E minor and the bass line descending through every semitone from E down to B, followed by a change to a B7 chord; the second part of the verse, beginning on an A minor chord, then follows a descending sequence that he writes as "A – A â™­ – G – F ...

  6. Piano Lessons (book) - Wikipedia

    en.wikipedia.org/wiki/Piano_Lessons_(book)

    Goldsworthy was nine years old when she met Eleonora Sivan, a charismatic Russian émigré and world-class pianist who became her piano teacher. Piano Lessons documents what Sivan brought to Goldsworthy's lessons: a love of music, a respect for life, a generous spirit and the courage to embrace a musical life. [1] [2] [3]

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.

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