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The painting depicts Haft-seen symbols of Nowruz being related to elements of Fire, Earth, Air, Water, and the three life forms of Humans, Animals and Plants. Haft-seen table. Haft Seen or Haft sin ( Persian : هفتسین ) is an arrangement of seven symbolic items which names start with the letter " س " (pronounced as "seen"), the 15th ...
Typically, before the arrival of Nowruz, family members gather around the Haft-sin table and await the exact moment of the March equinox to celebrate the New Year. [81] [82] The number 7 and the letter S are related to the seven Ameshasepantas as mentioned in the Zend-Avesta. They relate to the four elements of Fire, Earth, Air, Water, and the ...
Haft Mēwa (Dari: هفت میوه): In Afghanistan, people prepare Haft Mēwa (literally translates as Seven Fruits) in addition to or instead of Haft Sin which is common in Iran. Haft Mewa is like a fruit salad made from seven different dried fruits , served in their own syrup .
Language links are at the top of the page across from the title.
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
Maror and Chazeret [2] – Bitter herbs symbolizing the bitterness and harshness of the slavery that the Hebrews endured in Egypt.In Ashkenazi tradition, fresh romaine lettuce or endives (both representing the bitterness of the Roman invasions) or horseradish may be eaten as Maror in the fulfilment of the mitzvah of eating bitter herbs during the Seder.
The following table shows the names of the te'amim in the Ashkenazi, Sephardi, and Italian traditions together with their Unicode symbols. Cantillation marks are rarely supported in many default Hebrew fonts. They should display, however, on Windows with one of these fonts installed by default in Microsoft Office:
These ten inscriptions, plus an eleventh published by Raymond Weill in 1904 from the 1868 notes of Edward Henry Palmer, [17] were reviewed in detail, and numbered (as 345–355), by Alan Gardiner in 1916. [18]