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"You Ain't Seen Nothing Yet" debuted at number 65 on September 21, 1974, and reached the top of the Hot 100 seven weeks later. It was the only US number 1 single in BTO's chart history. (While as part of the Guess Who , Bachman had penned one other US chart-topper, " American Woman ", which hit number 1 in 1970.) [ 3 ]
The track "You Ain't Seen Nothing Yet" was featured as part of a running joke in the Harry Enfield sketch "Smashie and Nicey" in the early 1990s, with the duo playing the song to end almost every show. The band is referenced in the 1994 novel Shoedog by George Pelecanos.
The album produced the only BTO singles to chart in the United Kingdom. "You Ain't Seen Nothing Yet" hit No. 2 on the UK charts in November 1974, and "Roll On Down the Highway" hit the No. 22 position in January 1975. [7] "You Ain't Seen Nothing Yet" was a leftover track that was not originally intended to be included on Not Fragile. It was ...
"You Ain't Seen Nothing Yet" (1974) " Takin' Care of Business " is a song written by Randy Bachman and first recorded by Canadian rock group Bachman–Turner Overdrive (BTO) for their 1973 album Bachman–Turner Overdrive II .
"You Ain't Seen Nothin' Yet" is a song performed by Lisa Marie Presley, written by Presley, James Bryan McCollum and Sacha Skarbek. [1] [2] It is from her Storm & Grace album, and was released as a single on April 10, 2012. The song was described by the Presley Foundation's own website as having an "ominous, swampy vibe." [3]
“Just because you don’t know what you want yet, it doesn’t mean that there’s nothing to want.” — Emily Henry, “The Love That Split the Wind” “You educate a man; you educate a man.
The first synchronized speech, uttered by Jack to a cabaret crowd and to the piano player in the band that accompanies him, occurs directly after that performance, beginning at the 17:25 mark of the film. Jack's first spoken words—"Wait a minute, wait a minute, you ain't heard nothin' yet"—were well-established stage patter of Jolson's.
Yet, there are always a spattering of artists who were expected to garner love from Recording Academy voters, but were instead either shut out or barely acknowledged for the upcoming Feb. 2 ceremony.