Search results
Results from the WOW.Com Content Network
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
In April 2021, the developers announced plans to launch a Kickstarter project later in the month to turn the demo into a full game. [12] On April 18, a Kickstarter project for the full version of the game was released under the name Friday Night Funkin': The Full Ass Game and reached its goal of $60,000 within hours. [18]
Akai developed and refined the idea of the keyboard-less workstation with the Music Production Center series (1988–) of sampler workstations. The MPC breed of sampler freed the composer from the rigidity of step sequencing, which was a limitation of earlier groove machines.
Pages in category "Akai synthesizers" ... Akai MPC; Akai S900; Akai SG01v; Akai X7000; Akai AX60; Akai AX80; E. Electronic wind instrument; S. Akai S1000; Akai S3000XL
It is also the first time a sampler with touch sensitive trigger pads was produced by AKAI, giving birth to the popular MPC series of sampler sequencers. The Akai S950 (1988) was an improved version of the S900, with a maximum sample frequency of 48 kHz and some of the editing features of the contemporary S1000. The Akai S1000 (1988) was ...
The AKAI MPK 88 (Music Production Keyboard) is a hammer-action, 88-key MIDI controller keyboard released by Akai in November 2009. [1] It is the only MIDI controller in the MPK series to feature hammer-weighted keys.
Roger Curtis Linn is an American designer of electronic musical instruments and equipment. [1] He is the designer of the LM-1, the first drum machine to use samples, and the MPC sampler, which had a major influence on the development of hip hop. [2]
The Akai S1000 is a 16-bit, 44.1 kHz professional stereo digital sampler, released by Akai in 1988. The S1000 was among the first professional-quality 16-bit stereo samplers. [ 3 ] Its abilities to splice, crossfade, trim, and loop sound in 16-bit CD quality made it popular among producers in the late 80s through to the mid 90s.