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Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era.
Whole window. Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. [1]
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
Popular action-adventure video game Assassin's Creed features a climbable cathedral modelled heavily on the Chartres Cathedral. Chartres Cathedral and, especially, its labyrinth are featured in the novels Labyrinth and The City of Tears by Kate Mosse, who was educated in and is a resident of Chartres' twin city Chichester. [83] [84] [85]
The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...
The Cathedral of Chartres is an oil painting on canvas of Chartres Cathedral by the French artist Jean-Baptiste-Camille Corot, created in 1830. After being sold several times, it has been held in the Musée du Louvre , in Paris since 1906.
Alternatively they may be used for painting linear effects, or polychrome areas of detail. The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint".
The columns between the spans hold statues, around 1.6m tall, all by Thomas Boudin, showing God the Father, Fulbert and other unidentified bishops of Chartres. [5] There are also another 84 smaller statues at various levels, between 35 cm and 60 cm tall - the original plan seemed to be to show figures from society and envisaged 136 of these ...