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In 2009, the Monuments Historiques division of the French Ministry of Culture began an $18.5-million program of works at the cathedral, cleaning the inside and outside, protecting the stained glass with a coating, and cleaning and painting the inside masonry creamy-white with trompe-l'œil marbling and gilded detailing, as it may have looked in ...
Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era.
A few important examples of 12th-century windows are found at Chartres Cathedral on the inside of the western facade, in three lancet windows under the rose window. These windows survived a devastating fire in the Cathedral in 1194, and are considered some of the best examples of 12th-century work in France. [5]
The Cathedral of Chartres is an oil painting on canvas of Chartres Cathedral by the French artist Jean-Baptiste-Camille Corot, created in 1830. After being sold several times, it has been held in the Musée du Louvre , in Paris since 1906.
The parable of the Good Samaritan (Luke 10:30-37) [5] complemented by a series of Old and New Testament typologies served as a popular subject for cathedral glazing programs in the thirteenth century. [6] Three French cathedral windows fabricated between 1200 and 1215 function in this way: Sens (c.1200), Chartres (1205/1215), [7] and Bourges (c ...
A few cathedrals, like Albi Cathedral in the south of France, still have some of their original color, and others, notably Chartres Cathedral and the Abbey of Saint-Germain-des-Prés in Paris, have been restoring or recreating the earlier designs, or, in the case of Chartres, cleaning the walls and painting them white. This practice has been ...
Whole window. Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. [1]
Beginning in 1911, he spent his summers in Europe, making a comprehensive study of stained glass in cathedrals. In 1921, he was granted permission to set up scaffolding inside Chartres Cathedral for several weeks, to sketch and examine the windows up close. The following summer he did the same at Leon Cathedral in Spain. [7]